Copyright Questions by the Truck Load

Janko Roettgers blogged about this German gem on p2p-blog.com:

German avant-garde musician Johannes Kreidler has composed a song that quotes from 70,200 other musical works in merely 33 seconds. Did I mention he’s an avant-garde musician? In any case, he’s trying to be a good citizen and properly report all of the songs he used to the German music rights organization GEMA. The only problem: Each and every song quoted has to be reported by filling out a separate form.

His full post is here. Read more…

Posted in General Discussion, Microformat and Mark-up

Reusing Content: Derivative Work vs. Modified Work

What constitutes a derivative work?

The US Copyright Office states:

A typical example of a derivative work [..] is primarily a new work but incorporates some previously published material. This previously published material makes the work a derivative work under the copyright law. To be copyrightable, a derivative work must be different enough from the original to be regarded as a “new work” or must contain a substantial amount of new material. Making minor changes or additions of little substance to a preexisting work will not qualify the work as a new version for copyright purposes. The new material must be original and copyrightable in itself.


en.wikipedia.org

It seems pretty straight forward, but is it really? Can we codify when a work is derivative? Is cropping an image or changing its colour a derivative work? Consider the following work from my wife Mandy, and let’s assume that it is under Creative Commons Attribution-No Derivative Works 3.0 United States License. (My Wife’s blog does not publish a license, but I asked for and received permission for this post.)

A Pictorial Essay, aka, Pictures to Satisfy the Relatives


mandygratton.blogspot.com

What if I cropped it?
Image 1

The image is now completely taken out of context of a roller coaster ride. Still my wife does not think this is a derivative work.

Ok, what if muck it up in Photoshop?
Image 2

This is still OK with her. Though she’s not overly pleased with me since I ruined the photo.

But what if I put the cropped image into some new context:
Image 3

WHOA! She definitely thinks this is a derivative work. The subject’s pose in her opinion is being used to imply not the joy of a Roller Coaster but the joy of receiving Jesus or blessing a congregation. Is that bad? Clearly the Creative Commons license implies that I can reuse the picture. She just doesn’t like the misrepresentation of the original context.

But what’s the point of offering a Creative Commons license for a picture unless you are able to put it into new context. Really is that not the definition of reuse? I want to reuse something that she created in a different manner than she originally published it.

I would guess that some people, including my wife, would now think that Image 1 is a derivative work, but what if i just cropped it like so:
Image 4

Seems ok, even though I was not actually at the front of the roller coaster. I did clip out the two visible minorities. Maybe it is a derivative work? Ok maybe all cropping is a dirivative work. But what if I only cropped it 5 pixels along the border so it would fit into my blog or what if I scaled it down to a thumb nail?

It just doesn’t seem that there is a clear way to define when a work is derivative or not. Clearly in each case the work has been modified, but if it is derivative or not appears to have some flexibility in interpretation. It would be useful to build software that can differentiate between a derivative work and a modified work. Although a modified work can easily be computer read, can a derivative work only be determined by a human being?

Posted in Creative Commons, Ethical Reuse, General Discussion, Licensing & Attribution

Microformats for the Masses

“If I have seen further it is by standing on ye shoulders of Giants.”
- Sir Issac Newton

Where we’re at

Throughout history our progress has come by building on the work of those that came before.  It’s been taken for granted that ideas will be copied, tinkered with, and improved for the greater good.  This approach has worked well overall and we’ve all benefited from the wide view to be had from the shoulders of giants.  But now this process has collided with another meme, the Digital Age and effortless, instant, perfect duplication at virtually zero cost.  Throw the Internet into the mix, bringing mass distribution to the masses, and mass confusion ensues.

It’s a hot topic.  Our copyright and patent system is poorly equipped to deal with this massive increase in consumer publishing power.  Content producers feel threatened like never before and have thrown up a maze of laws and lawsuits around digital reproduction.  Simultaneously services like YouTube, Facebook, Blogger, etc. have thrust users into the centre of this issue without the tools to deal with the complexities at play.

Where to go

On this blog we want to talk about media reuse on the Internet and enabling reuse in a responsible way.  Media companies’ reactionary response of restricting all use is throwing the baby out with the bathwater but conversely doing away with copyright on the Internet altogether is no better.  There’s a middle way and we need to build tools to facilitate that path.  Tools to recognise media and enable reuse.

Our immediate challenge is discovering what licensing and ownership attributes are associated with a given piece of media.  There are millions of discrete pieces of media on the Internet, how can software tell which are reusable, which are licensed, which are public domain, etc.?  A simple solution to this problem is offered by microformats.  By embedding meta-data with media in a standardised, machine-readable way we open the door to all kinds of applications that rely on this knowledge.

We’re in this together

The more a microformat is used the more useful it is, we sink or swim together on this one.  The tools around media reuse will all benefit from the publication of a standardised microformat to enable further reuse while preserving ownership, attribution and licensing information.

Obviously this post is a very high view of a complex issue and is meant only to introduce this aspect of microformats and media reuse.  We’ll periodically post more information to this blog about our efforts to spur this initiative along and we hope anyone interested will participate in forming the ideas that emerge.

Posted in Microformat and Mark-up

Project supporters

Donat Group Nitobi Taunt Media
PlayTheWeb.org is an ad hoc group of Web professionals who are interested in promoting the idea of "Web Play" through the ethical reuse of content on the Web. We want to report, discuss, and promote Technologies, Techniques, Applications, and Business models that move this idea forward.